They were grunge before grunge, indie before indie. has always been music you can sink your teeth into, meaty bits of melody inspired by mid-70s cowboy rock and tempered by early 90s ennui. They're broke, they haven't bought the album, but now.now they just might. The crowd nods their heads less frequently to the new tracks, wearing puzzled half-smiles. The tunes are pretty damn good, too.Throughout the night Mascis sprinkles the set with his newest tracks ('Waistin,' 'Ground Me to You,' 'Back Before You Go'), forgoing More Light's piano for high-volume distortion and power-trio punch. And what they’re doing is whatever they feel like doing, and that’s something that should be cherished in a society that still insists on separating profanity from television. The lyrics are such an immense part of this record and are so childishly clever and able to generate a what-the-fuck reaction that quickly merges with an appreciation for what The Frogs are doing here. It’s all just so raw and visceral and evocative and fun.īut you can’t really wish for anything other than what this record is, or else you’d be bargaining for something so very different as to void all meaningful comparison. On the contrary, some of the early Geto Boys LPs border on classic status, and It’s Only Right and Natural is a brilliant middle finger wrapped in skeletal acoustics that nearly make you wish the band would have recorded a companion piece with a more traditional lyrical approach. It’s probably not by coincidence that all these bands were at their best and most appalling at around the same time, in an era where explicit content in popular music resonated with ferocity in the media and amongst political elites. And this seems to be the point here: regardless of what subjects the brothers Flemion deem worthy of their lo-fi folk aesthetic, none are handled conservatively, and all are sewn from the same cloth handled by 2 Live Crew, Geto Boys, and others who have composed their material with an eye to the censors. It’s altogether awful and offensive and striking and taboo. Then there’s “Baby Greaser George,” a cut tracing a gruesome sexual encounter that can be deduced from the title. It’s Only Right and Natural also strikes at religion with “Gather ‘Round for Savior #2” and, not content with a song so mild as to just address the topic of drug use, the opener includes the line, “Fucking priest with a yeast infection.” Indeed.

With songs like “Homos,” “Dykes We Are,” and “These Are the Finest Queen Boys (I’ve Ever Seen),” The Frogs aren’t pulling any punches, and they hammer away at exaggerated expositions on gay culture with a tongue-and-cheek humor that accomplishes that rare feat of being at once ridiculous and poignant. But it’s these gay narratives that garner all the attention and provide a unifying theme running from beginning to end. Though this first track is one of the few without a vulgar homosexual narrative, it’s perhaps equally absurd in its treatment of drug culture. The moment the Flemion brothers start in with the opening words of “I’ve Got Drugs (Out of the Mist),” you’re apprised of the over-the-top nature of the recording. This is a record that compels attention and polarizes both actual and potential listeners so violently that I’m reminded of why I love art and why the explosion of punk in the late ’70s was so very important for recapturing the “fuck you” swagger in music, highlighted previously by Elvis’s mythical pelvis and Velvet songs about drugs, whores, and more drugs. If I had to force It’s Only Right and Natural into the prison of a single adjective, I’d call it refreshing. But I disagree with the applicability of most of these to a record that circumvents so many topical and lyrical conventions. What does it mean to record a “gay” album? When I first learned of The Frogs’ 1989 underground pseudo-classic, It’s Only Right and Natural, I consistently read about it being one of the few records that could be properly called “gay.” After giving the LP a listen, I no longer questioned why so many have described this music as gay or novel or lewd or shocking or homophobic or terrible.

The frogs homos